Sculpting China: Critical Puppetry and the Formation of Diasporic Identity in Chang and Eng and Me (and Me)
In my short, filmed Wet Bag puppetry performance Chang and Eng and Me (and Me) (2021), the audience witness the construction, manipulation and destruction of figures representing the Siamese-Chinese conjoined twins Chang and Eng Bunker.These processes mirror the formations and transformations of identities that Chang and Eng underwent as diasporic